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antietam
USA (2006)
46 minutes

Back to 10 Days that Unexpectedly Changed America

by S. James Wegg
(04/09/06)

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Both sides ready for battle
Easy targets
Soldier ready for battle
What are we here?

Pulling victory from the jaws of a draw

Michael Epstein’s spectacular recreation of the Battle of Antietam evokes the feelings of rage and despair in those of us who have always wondered why so much of human conflict ends in the death of courageous, if blindly devoted, soldiers on both sides of the disputes.

In this one-day affair, 23,000 men were killed, maimed or wounded defending a cornfield, a sunken road and a bridge.

Magically bringing archival and confected photos to an unending and at times literal still march across the screen, Michael Chin’s camera and Eric Epstein’s visual-effect wizardry bring us closer to the carnage than the mere listing of the fallen in newspapers published far removed from the fields of death. 

President Lincoln derided his ever-cautious General McClellan’s failure to finish off the Confederate army, letting them escape back to the South.  For his part, the Union General wrote that “the battle was a masterpiece of art.”  Surely he meant the art of war, as there was little “truth” created on the blood-drenched battlefield September 17, 1862.

The Confederates’ General Lee made a huge miscalculation when he assumed that the good folk of Maryland were “being held in the Union against our will” so would join his ill-equipped underfed troops once his bold invasion began.  To his chagrin and eventual retreat, the “oppressed” failed to share his wisdom and stayed home.  Why does that sound so familiar?

Still, five day later, Lincoln’s preliminary Emancipation Proclamation was issued.  Southern blacks would be free if the Union prevailed in the Civil War.  That was enough to keep England and France from entering the fray and, following the grudge match in Gettysburg led to the formal rebirth of a country which had formally sanctioned slavery and land grabs from its indigenous population.

On reflection, the most unsettling feeling stems from the realization that the slaughter in Maryland would rematerialize a century later at a location whose name sounds amazingly similar:  Vietnam.  Sadly, the results of that “victory” would be largely the same. JWR

Director/Writer

Michael Epstein

Producer

Caroline Suh

Narrator

Jeffrey Wright

Editor

R.A. Fedde

Music

Michael Chin

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