
Taking the plunge
(click to enlarge) |
Taking one for the team
Coming-of-age stories are as timeless as life itself.
Everybody has one so there's a built-in fascination and voyeuristic interest
with every addition to the already considerable number of films that chronicle
troubled teens as their hormones, body parts and relationships fly through the
unstoppable rollercoaster of adolescence. Traditional boy-girl passages are
trying enough, but add society's mores to the sins of the flesh for budding
same-sex psyches and there's enough personal angst-and-drag unleashed to keep
psychiatrists and, sadly, undertakers, busy forever.
Summer Storm is director/co-writer
Marco Kreuzpaintner's entry into the "I'm not gay but my boyfriend is" genre. It has much to admire, including setting the action around a rowing competition
rather than the more usual educational backdrop (cross-reference below),
but can't rise above the script's puberty parade and so merely stops rather than
concludes Tobi's (Robert Stadlober, whose captivating physique and range of
emotion would be enough to give any man pause to consider a walk on the wild
side) societal and self-made crises.
The opening
sequence, which includes Nada Surf's Blonde on Blonde ("Cats and Dogs are
coming down," musically foreshadowing the climax), is a wonderful montage
(and echoes the training sequence in Beautiful Boxer, cross-reference
below) of two young men working on the rings, toning their abs with sit-ups,
jumping and stretching. Daniel Gottschalk's camera fills the screen with
shorts,T-shirts and muscular legs to wordlessly portray the athleticism,
camaraderie and testosterone of Tobi and best friend Achim (Kostja Ullmann).
But before you can say "boys will be boys" the buds have their pants around
their ankles and "choke their lusty chickens" side by side while serving a
"clean up the boat house" punishment meted out by Coach Hansi (Jürgen
Tonkel, whose line "I'm such a dolt," is spot on). Punishment indeed.
Achim's female love interest is Sandra (Miriam
Morgenstern) who dotes on him but soon starts to wish that Tobi would leave her
man alone. Tobi's "date" is Anke (Alicja Bachleda-Curus) who becomes the
victim of her boyfriend's lying brag to Achim that they have slept together—a
more sure-fire way of getting dumped doesn't exist.
Away they all go to boat camp where the major
complication is the last-minute replacement of the reportedly "loose" girls'
team from Berlin with the "Queerstrokes," team who bring new meaning to the
rower's mantra: "Pull and chop."
Having set the stage for all manner of
hilarity and social comment, the script frequently sails off course in the
detail. Despite their name, rainbow emblem on the team jerseys, and buff bods
that invite closer examination, the "straight" crowd has to be told that "Queer
also means gay." Sure.
Then the foreskin caught in the zipper gag
seems about as plot enhancing as the bare-breasted sun worshipper that earns the
totally hetero (er, mostly) admiration of the "Rambo" squad. From all of this
emerges the sub-plot of total jock and rich kid Georg (Tristano
Casanova who provides the film's finest acting) becoming the target of
career-queer Oli (Ludwig Blochberger), who brags that "straight boys make a
great challenge." Still, this sets up the film's funniest moment when the
"methinks he doth protest too much" Georg inadvertently presents a bouquet of
flowers to his suitor even as the campily dressed homo chefs expertly slice up
an enormous zucchini.
The race soon slips to the back burner. Relationship roulette sends Tobi reeling from Achim's rejection of a kiss into
the full-service arms of Leo (Marlon Kittel), a willing member from La Petite Étoile only to have to blurt out his desire for men to Anke as she, finally,
decides to bed her beau in the bushes.
As if that wasn't enough, there's a rumble in
the jungle where Tobi has his Judas moment and asserts "I am not gay." Next,
the heavens open forcing everyone into the conveniently empty youth hostel where
Georg's disappearance (he had an unwanted whisker-framed kiss of his own to deal
with) leads to a soggy manhunt for the startled coxswain.
Finally, the two friends have it out and Tobi
realizes that his desire for Achim must remain a fantasy so he goes and sits
fully clothed in the shower until his new-found love takes him to bed and kisses
his sunburn better. Happily, there follows a few moments of cinematic magic as
the camera paints the canvass of who's sleeping with whom—or not; the empty
camp, the unused virginal blanket and the wood plank dock where Tobi finally
expressed his sexual identity. Marvellous.
That just left the banana jokes to lighten the
tone and the race to complete the circle, but not before a twist that put Georg
at the helm of the queerest boat in Germany.
Summer Storm is always a pleasure to
watch but too often crosses the line of the believable for the quick laugh. Enjoy it for its gaily frolicking tone. 
|
Director |
Marco Kreuzpaintner |
|
Producers |
Uli Putz, Thomas Woebke, Jakob Claussen |
|
Writers |
Thomas Bahmann, Marco Kreuzpaintner |
|
Director of Photography |
Daniel Gottschalk |
|
Production Design |
Heike
Lange |
|
Editor |
Hansjoerg Weissbrich |
|
Music |
Niki Reiser |
|
Main Cast |
Robert Stadlober,
Kostja Ullmann,
Alicja Bachleda-Curus,
Miriam Morgenstern,
Jürgen Tonkel,
Tristano Casanova,
Ludwig Blochberger |
Cross-references: Prom Queen; Beautiful
Boxer