JWR Articles: Live Event - San Francisco Symphony (Conductor: Michael Tilson Thomas) - September 14, 2010 id="543337086">

San Francisco Symphony

4 4

Pops night in Lucerne

Michael Tilson Thomas and the San Francisco Symphony completed their three-evening miniseries at the Lucerne Festival in Summer with a trio of frothy bits of brilliant orchestration, a heart-warming song cycle and a seldom-heard encore from Léo Delibes’ Sylvia that collectively added a much-needed lighter tone to the predominantly heavy fare of the orchestra programs.

Sans doute, the best of the all-French offerings were the three best-loved “fragments” (“Lever du jour,” “Pantomine,” “Danse générale”) from Maurice Ravel’s Daphnis and Chloé, second suite. Thomas truly played the orchestra and the result was a constant pleasure, showering wave after wave of magnificent colour in and around the Kultur and Kongresszentrum Luzern’s concert hall. Special mention goes to piccolo player Catherine Payne and clarinetist Carey Bell who finally had his most consistent outing of the three-night stand.

Hector Berlioz’s Roman Carnival Overture lifted off the festive proceedings with shimmering hues, heady power where required and a dutifully poignant English horn (Russell deLuna). Only a tad of ensemble vagaries and an over-zealous tambourine gave any cause for concern.

Ravel’s multi-sectioned Valses nobles et sentimentales showed off the strings to their best advantage and had toes a tappin’ everywhere.

Stepping in at the last minute to replace Susan Graham, mezzo-soprano Sasha Cooke did a most credible job traversing the six poems from Théophile Gautier that comprise Berlioz’s Les Nuits d’Été.

At times, Thomas seemed to lose interest, letting the fragile inner-tension sag just when Cooke could have used more support. The predominantly vertical phrasing, happily, was banished from “l’Île inconnue” where some welcome lift from all concerned (Est-ce dans la Baltique) came just in time to leave a final, favourable impression.

All told, the visit from America’s West-coast treasure was a marvellous demonstration of first-class orchestral playing. JWR

Between Performances

During the festival’s 38-day run, a wide variety of non-musical activities was sampled both in Lucerne and other parts of Switzerland. Because of the excellent local and inter-city transportation system, there’s plenty to see and do within a day’s reach and still be back in time for the next performance—Cultural Tourism at its best!

A great way to experience the Swiss countryside is by train. The ~3 hour journey to Lake Constance is a constant delight; a visit to St. Johannes Church der Täufer at the end of the line is highly recommended. All aboard the Pre-alpine Express!. JWR

Your comments are always welcome at JWR.

Click here to have your say (please mention the headline for the article):Feedback to JWR.

Conductor - Michael Tilson Thomas
Mezzo-soprano - Sasha Cooke
Les Nuits d'Été, Op. 7 - Hector Berlioz
Roman Carnival Overture - Hector Berlioz
Valses nobles et sentimentales - Maurice Ravel
Dahpnis and Chloé - symphonic fragments from Suite No. 2 - Maurice Ravel
Further information, future screening/performance/exhibition dates,
purchase information, production sponsors:
Lucerne Festival San Francisco Symphony Orchestra
Cross-reference(s): Please click on the image link(s) below
for related work: